Catalina Lozano (Bogotá, 1979) is currently associate curator at Museo Jumex in Mexico City where she has developed projects with Fernanda Gomes, Xavier Le Roy and Ana Gallardo among others and curated the exhibition Could Be (An Arrow) with women artists in La Colección Jumex. She is interested in minor narratives that question hegemonic forms of knowledge. The analysis of colonial discourse and the deconstruction of the modern division between nature and culture has been the point of departure for many of her curatorial and editorial projects such as Ce qui ne sert pas s’oublie, (CAPC, Burdeos, 2015); A machine desires instructions as a garden desires discipline (MARCO Vigo, FRAC Lorraine, and Alhóndiga Bilbao, 2013-14), and the books Crawling Doubles: Colonial Collecting and Affects (B42, París), co-edited with Mathieu K. Abonnenc and Lotte Arndt, and The Cure (A.C.A. Public, 2018). She has also curated exhibitions at the Museo de Arte Moderno de Medellín, daadgalerie, Berlin, Casa del Lago, Mexico, among others. She holds master’s degrees in Visual Cultures from Goldmiths College (London) and in Theory and Practice of Art and Language from the EHESS (Paris). She was part of the artistic team of the 8th Berlin Biennale (2014).